Utstillingsåpning i kveld: You see we are blind, part II
27. april, 2022

I kveld kl. 18:00 åpner separatutstillingen You see we are blind, part II ved BGE Contemporary Art i Stavanger. Sammen med mønstringen på Galleri Fineart i Oslo er dett Odd Nerdrums første separatutstilling i Norge på nesten fireogtyve år.

Utstillingen består av en håndfull malerier fra You see we are blind, part I, samt en del nye bilder, og varer fra 27. april til 25. mai.

"Ryggen" er en av flere malerier som blir vist frem ved BGE Contemporary Art i Stavanger.


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  • Tilknyttede sider:

    Odd Nerdrums hustru:
    turidspildo.com

    The Cave of Apelles:
    caveofapelles.com

    World Wide Kitsch:
    worldwidekitsch.com

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  • Siste innlegg

    • Sommerutstilling 2022: "Alene i verden"

      Odd Nerdrum and ten selected students will exhibit paintings at Horten Kunstforening’s summer exhibition in Kihlegalleriet. The exhibition is titled “Alone in the World” and opens on the 25th of June at 1 pm. A selection of prints by Odd Nerdrum will also be on display in the side building. Exhibitors:Melisa CalabriaCassander André StraumsgaardSiri Balke HveemWilliam HeimdalTurid SpildoOdd NerdrumSebastian SalvoJan Ove TuvKaja NorumGunnar HaslundKristine Onsrud Exhibition Address:KihlegallerietFalkenstensveien 293189 HortenNorway Exhibition duration:25th June – 31st July 2022The gallery is open on Fridays, Saturdays and Sundays from 12 pm – 3 pm.

    • Samtaler fra Memorosa (Ilustrasjon: Öde Nerdrum) Boklansering: "Samtaler fra Memorosa" | Korsnes & Nerdrum

      A new book by Carl Korsnes, the editor of Sivilisasjonen magazine, will be launched on Thursday 31st of March at Bakgården på Løkken in Oslo. The title of the Norwegian publication is “Samtaler fra Memorosa” and consists of thirteen philosophical dialogues between Korsnes and Odd Nerdrum. Carl Korsnes and Öde Nerdrum (Odd’s son) will both speek at the event. Reviews The philosopher Einar Duenger Bøhn, who wrote a foreword to Odd Nerdrum’s recent painting book published by Fineart Gallery, says the following about Sivilisasjonen’s first book: Korsnes presents a collection of short and beautiful conversations with Nerdrum, which calls for hope that beauty can actually save the world. Einar Duenger Bøhn The poet and model for Odd Nerdrum’s painting Transfiguration wrote with pathos: The dialogues are a tribute to taking pride in one’s craftsmanship. To the intoxication of beauty. To the nobility of creation. Glittering with blink shot anecdotes. Reading through it arouse both the urge to create and the urge to live. Viva Nerdrum. Viva Korsnes.Bertrand Besigye

    • Jan-Ove Tuvs omvisning av Odd Nerdrums storslåtte utstilling i Oslo

      You see we are blind at Fineart Gallery in Oslo is the largest collection of Odd Nerdrum’s work that has ever been on display, showcasing sixty paintings from the past twenty years. Since the 1980s, Nerdrum has consistently depicted man in his primal state, confronted by the necessities of life and its inescapable challenges. The paintings in this exhibition emphasize human figures in movement, roughly painted as if caught in a stage of transformation.Watch Jan-Ove Tuv’s guided tour at the exhibition: Tuv is known for putting emphasis on technique and storytelling when he analyzes paintings. He often points to a method he calls the “shock effect” which he says is typical for Odd Nerdrum. “It pushes or pulls figures in a certain direction,” he explains. Taking inspiration from “Hope” by George Frederic Watts, Nerdrum is using a heliocentric perspective where centralized figures are seen from beneath, and the earth as if from outer space — a sense of life repeated in some of his most iconic images. Besides barren landscapes and forests, a third scenery of a darker kind has been introduced in the last decade and a half. The series of void pictures is a continuation of experimental motifs Nerdrum made in the 1960s, initially inspired by fever dreams in his childhood. Here, the human figure is the supreme center of attention and the general order of society has ceased to exist. In some of his recent paintings, the transitory stage of the underworld becomes apparent. Clothless… hairless; the figures are stripped of everything, as if they were living ghosts. Jan-Ove Tuv in front of Odd Nerdrum’s “Good News” Since the mid-2000s, Nerdrum has been using the Apelles palette, consisting of white, yellow, red, and black. The cool tones in these works, which appear blue, are merely gradations of gray, underlining the earthly tone and sense of unity.More and more coarsely painted and softer in the transitions, as if in a dream, his subjects are living, translucent beings.  For Nerdrum, a “correct” depiction has never been sufficient. His primary goal has been storytelling, and now more than ever, he connects the figures through a pulsating rhythm of eternity.The stories we are witnessing recreate moments where life is at stake. Moments of utter seriousness and devotion. Moments we all secretly long for, because they tell us who we are.  Jan-Ove Tuv in front of Odd Nerdrum’s “The Golden Cape” Seeing Nerdru’s work, one is reminded of Joseph Campbell´s words of how The Hero brings eternity into the present. He who lives according to timeless stories will remain forever young, because his ideas come from the primal source of human life. Guided tours at the exhibition Jan-Ove Tuv will have guided tours at the exhibition: Sunday 27th March at 1 and 3 pm (13:00 og 15:00) Saturday 2nd April at 2 and 4 pm (14:00 og 16:00) Sunday 3rd April at 1 and 3 pm (13:00 og 15:00) It is for free and anyone can join.

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